<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[By Amandine]]></title><description><![CDATA[Multidisciplinary practice at the intersection of art, craft and culture: visual interpretation, art writing and jewellery making.]]></description><link>https://www.by-amandine.com/in-words</link><generator>RSS for Node</generator><lastBuildDate>Fri, 10 Apr 2026 13:42:03 GMT</lastBuildDate><atom:link href="https://www.by-amandine.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Spring Letter 2026  ]]></title><description><![CDATA[Resonance is the newsletter by Echoes of the Canvas. It looks back at the project’s developments, offers a preview of upcoming articles and curated image selections, and shares a small collection of cultural gifts. Ideal for anyone interested in thoughtful art writing, visual culture, and reflective creative practice.]]></description><link>https://www.by-amandine.com/post/spring-letter-2026</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa101</guid><pubDate>Mon, 23 Mar 2026 17:01:02 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_4633409f1cac410dba6b2e6763c96449~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item><item><title><![CDATA[Le Choix de la Fraise : Un Manifeste]]></title><description><![CDATA[Une réflexion sur la fraise comme symbole, motif et fruit, explorant sa présence dans l’histoire de l’art, ses significations culturelles, et ce qu’elle révèle de l’approche d’Echoes of the Canvas.]]></description><link>https://www.by-amandine.com/post/le-choix-de-la-fraise-un-manifeste</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa109</guid><pubDate>Fri, 30 Jan 2026 12:25:27 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_fd168d703570422ba7cfa7b84b5a34f6~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item><item><title><![CDATA[The Strawberry Choice: A Manifesto]]></title><description><![CDATA[A reflection on the strawberry as symbol, motif, and fruit, exploring its art-historical presence, cultural meanings, and what it reveals about Echoes of the Canvas’s approach to visual culture.]]></description><link>https://www.by-amandine.com/post/the-strawberry-choice</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa10d</guid><pubDate>Fri, 30 Jan 2026 12:00:24 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_fd168d703570422ba7cfa7b84b5a34f6~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item><item><title><![CDATA[Resonance – Winter Letter 2025  ]]></title><description><![CDATA[The first issue of Resonance, the newsletter by Echoes of the Canvas, looks back at the project’s early development, offers a preview of upcoming art-historical articles and curated image selections, and shares a small collection of winter cultural gifts. Ideal for anyone interested in thoughtful art writing, visual culture, and reflective creative practice.]]></description><link>https://www.by-amandine.com/post/resonance-winter-letter-2025</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa103</guid><pubDate>Tue, 02 Dec 2025 10:54:18 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_4633409f1cac410dba6b2e6763c96449~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item><item><title><![CDATA[When Life Stands Still: on Art and Language]]></title><description><![CDATA[It struck me one day. In  French, we call a still life  a nature morte , which translates literally 'dead nature'. To me, the words that I have spoken since childhood carry this brutal finality, the uncomfortable idea of decay and extinction. In English, still life  sounds gentler and suspended. Same paintings, two very different sensations. Sarah Miriam Peale, Still Life with Watermelon , 1822, oil on panel, 46.4 x 67 cm. Harvard Art Museums, Cambridge, MA. Italian, Spanish, and Portuguese...]]></description><link>https://www.by-amandine.com/post/when-life-stands-still-on-art-and-language</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa105</guid><pubDate>Mon, 24 Nov 2025 10:00:23 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_c2954e094b4d48d88296022045fc22a6~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item><item><title><![CDATA[Tables as Still Life: Craft, Context, and the Art of Looking]]></title><description><![CDATA[At craft markets and fairs, rows of tables stretch like a succession of small stages. Each one is curated by a maker who orchestrates a dialogue between the objects and the passing visitor, and between the objects themselves too. These displays do their job in drawing their audience, yet they are rarely seen for what they are. For in their careful compositions, they actually echo a fine art tradition: the still life . 	When I walked among the stalls at Potfest Scotland  last summer, I...]]></description><link>https://www.by-amandine.com/post/tables-as-still-life-craft-context-and-the-art-of-looking</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa10e</guid><pubDate>Wed, 05 Nov 2025 15:43:24 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_8c5ec77685b6494e97ab44710743eea6~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item><item><title><![CDATA['Resistance': A Slow Look and Mid-Run Reflections]]></title><description><![CDATA[An insightful review of 'Resistance: How Protest Shaped Britain and Photography Shaped Protest' at the National Galleries of Scotland. Spanning the 20th century, the exhibition presents stark black-and-white images of protest, from suffragettes to anti-racist marches, revealing resistance as both a momentum to live and a form of creative expression. It connects past struggles to present ones, showing that the idea of struggle is ongoing and deeply embedded in society's fabric.]]></description><link>https://www.by-amandine.com/post/resistance-a-slow-look-and-mid-run-reflections</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa10a</guid><pubDate>Wed, 13 Aug 2025 06:57:38 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_b1148d9ec210476ab47a3e9af610d838~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item><item><title><![CDATA[Why Pockets Matter: A Story of a Devil Hidden in Details]]></title><description><![CDATA[**For a complementary perspective on pockets and their social meanings, explore the curated collection here .** 	It started with a...]]></description><link>https://www.by-amandine.com/post/why-pockets-matter-a-story-of-a-devil-hidden-in-details</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa106</guid><pubDate>Tue, 05 Aug 2025 18:19:36 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_97cb8db10dda40f1a72eeda0fe431797~mv2.jpg/v1/fit/w_888,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item><item><title><![CDATA[Garden Futures: Designing with Nature]]></title><description><![CDATA[Before you step into Garden Futures: Designing with Nature,  prepare to enter a parallel world, both removed from everyday life and...]]></description><link>https://www.by-amandine.com/post/garden-futures-designing-with-nature</link><guid isPermaLink="false">6981ffecdbe87b03fe6fa104</guid><pubDate>Sat, 07 Jun 2025 17:11:20 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/2f85dc_3c4f39e618b24b4080db3f6c08704661~mv2.jpeg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Amandine Vincent</dc:creator></item></channel></rss>